The Tale of Zatoichi Continues (1962) Review

 

Second film in the Zatoichi series and last in black and white.

This film follows Zatoichi as he returns to the village from the previous film to pay respects for a man he murdered. Along the wa,y he is chased by Yakuza who after him for a rather flimsy reason, so there's not much to care about with that aspect of the story.
The more interesting plot point is the addition of a samurai that a girl who Zatoichi once loved had left him for.
There are a couple more interesting details that are revealed about the whole affair towards the end too and it makes for some good drama. However, it does feel like it's not focused on enough throughout the film, until towards the end, and so it doesnt quite have the emotional impact you would hope for, but it's still pretty effective.
The film also does end in very abrupt manner that's more akin to a cliffhanger,
but it was rushed out only a few months after the first and has a runtime of only 77 minutes, so the sudden ending could be a consequence of those factors.
Overall, it's a step down from the previous, but still a good second film overall. ***1/2

The Tale of Zatoichi (1962) Review

 

This is the first film in the Zatoichi series, which between 1962 and 1973 produced 25 movies, all starring the same actor Shintaro Katsu in the titular role of Zatoichi a blind masseur/swordsman.

This is one of only two films in the series to be black and white (other being the second) and  sees Zatoichi being hired by a Yakuza gang leader and gets caught up in the conflict they have in the rival gang.

The way they establish some of Zatoichi's character early on is great. There's a bunch of gamblers who try to take advantage of him but he instead fools them and takes all their money, showing that he is smart and knows full well people how people will underestimate him because of his blindness.

Throughout the film more of his traits are revealed and you really get a rounded picture of the character and take quite a liking to him (well i did anyway). He's not perfect person but definitely has an empathetic side as well is an all around strong main character to have.

He also doesn't care much for the Yakuza conflict that is ongoing and actually befriends one of the samurai in the rival gang, building this real nice rapport with him. However, there is this looming sense that they will have to inevitably face off, and this the key that leads to great dama and really elevates the film, building up to a fantastic climax  and ending that is quite emotional with a stella performance from Katsu who really makes you feel for Zatoichi.

The film itself is also shot very well, and the rest of the performances are good too.
There is of course also some samurai action, with the rival gangs clashing in a very messy and chaotic manner, which contrasts nicely with Zatoichi who is precise and focused with his swordplay, usually ending things in a quick manner.

Overall, this is a great introduction and first film in the series that does good job at establishing the Zatoichi character and nails some  damn good drama in the process.

I look forward to exploring more of the series. ****

Gamera, The Giant Monster (1965) Review

 

 

 

As the 1960s saw a boom in the Kaiju film genre, there was one giant turtle in particular looking to be a true rival to the King of the Kaiju himself, Godzilla.
His name was Gamera, and in 1965 came his first movie Gamera, The Giant Monster.
And while it was success and spawned a franchise inlcuding at present, 12 movies, this first film isn't exactly Gojira, in fact, when compared to the majority Godzilla's other movies,
at this early stage, Gamera seems less like a rival and more like a bargain bin cousin.

Now to be fair, it didn't have the biggest budget and that smooth of a production, and I certainly don't think the movie isn't enjoyable becuase I do like it.
But it is incredible clunky, and can get a little tedious in its third act and just lacks the overall polish that the Godzilla film has.

The actual monster action is quite fun, you get a nice little bit of destruction in there and I like Gamera's look, though it is the typical type of action you usually see in a solo kaiju movie.

The human stuff on the other end isn't so good. The acting is definitely mixed particularly early on when you've got these American Navy seals who are so bad they're literally just reading from the script at a couple of points, though it does admittedly provide a few laughs.
The majority of these human scenes however, are made of them trying to figure out what Gamera is and how to stop them, so again, the typical kind of thing you get in these movies, and that's what provides tedium, especially with it not being paced very well, it can tend to drag.
They also have the addition of some delusional kid who is obsessed with Gamera and thinks he's good, being competely clueless to the death and destruction he causes, which is a funny thing to witness.

The film is also shot in a black and white, which isn't really an issue, and it does certainly looking pretty good in places, but quite often the film is incredibly dark looking and almost indistuingishable on occasion, and that's even with Arrow Video's lastest HD remaster, which is probably the best that it could look in this present day.

Overall, the first Gamera film is a very generic schlocky solo giant monster film, that doesn't really do anything new to make it stick out, with most of its enjoyment stemming from its monster action and its clunkiness. It's pretty fun, but definitely one that I would only recommend to the hardcore Kaiju crowd. ***

The Adventures of Kosuke Kindaichi (1979) Review

This is a comedy by Nobuhiko Obayashi that is based on the fictional detective Kosuke Kindaichi created by Seishi Yokomizo. I have no familiarity with the character at all but there have been numerous TV and film adaptations done on him, and in fact, the main actor who plays Kindaichi, Ikko Furuya, had played him previously in a TV show and would go on to play as him in subsequent movies.
The film itself is pretty oddball, it jumps around quite a bit and at first, I was a little confused about what was going on, and throughout there's bits of nonsense and randomness scattered about, which do at times provide some good laughs. And it even at times gets a little meta, including Yokimozo playing himself in a cameo, where he gets royalties and says he didn't want to be in the movie.

The story itself is, of course, a detective mystery where Kindaichi has been urged to solve a case that was left unsolved in a book about his cases. It is fun to watch unfold and has some interesting little twists, though as the film does like to jump about and gets a bit jumbly, you could get a little lost, but it all wraps up well towards the end.

What makes this film really stand out though, is the aftermath of the case being solved.
The last 10 minutes of this film blew me away, I can't really reveal anything but it definitely takes and turn and I love it.

Overall, the film's rather unhinged approach may prove to be off-putting for some. But I found it to be a very fun detective comedy, and that ending really brings it up a level. ***1/2

Take Me Away! (1978) Review

Take Me Away! is a film by Nobuhiko Obayashi starring the Golden Combi 70s Idol film stars
Momoe Yamaguchi and Tomokazu Miura. It's pretty much a romantic fluff piece with the basic story of girl meets boy abroad, she has to leave him behind, and then there's some conflict and a happy resolution. It's a very shallow film that follows all the usual general tropes without adding anything new, but it's still rather cute in places, even if the character motivations could be rather questionable.

The film is quite well shot, and Obayashi incorporates a couple offbeat elements here and there, though it's very sparingly. It does, however, a recurring song and theme throughout that is linked to the characters, a trope that Obayashi has a used a few of his films before.
Although the opening bars to the song are exactly the same as Fly Me to the Moon.

Overall, I found the film somewhat enjoyable, it rushes about it at times and is a very basic run-of-the-mill romantic film, but it has some charm and I particularly liked the first 30 minutes or so.
Not sure how much I'd necessarily recommend it,  maybe if you really like your smulchzy romance films, other than that , this one's that's more for the Obayashi completionists. **1/2

My Films of the Decade (2010-2019)

There's no doubt that film has played a major part in my life this decade.Not only did I watch more films than I probably ever will in a decade again, but I also went and studied it at Uni and have since been developing some kind of career in the medium.
The decade also saw my approach and perception of films change and shift.
At the start of the decade, I was heavily into the critics, always checking Rotten Tomato scores, reading Roger Ebert reviews and looking at everything with a very critical eye.
But as the years went by and the end of the decade comes along, my critical approach has lessened, I cared less and less about what the critics said and adopted more of a empathetic approach to the way I view things, though still maintaining somewhat of a critical view as it never really goes away.


Now, according to my letterboxd, I've watched over 800 films released in this decade, alot of which were thankfully in the cinema. There are a lot of great films in amongst it all, but I really tried to narrow it down to the films that have really stuck with me the most with a few being picked due to other factors outside of their actual content.
Now I've pretty much done away with ranked lists, since I never fully agree with the order of things which makes ranking them feel pointless, so for this,  I'm just gonna list the films in a chronological order, from the start of the decade to the end. Let's go.

Inception (2010)

 To kick off this list is a film that certainly represents how my tastes and interests have developed over this decade. As at the time, this film was probably in my top 10 favorite films of all time. Since then, it's dropped down a lot in the ranks and I haven't rewatched it in a good number of years, but I know I'd still find it great, and there's no denying how much I loved this film at the time. 

Christopher Nolan was one of the first directors I acknowledged as someone I was a fan of. He's very good at taking interesting ideas and turning them into very accessible movies.

Inception is a prime of example of this, as it's essentially a mind-bending movie for the mainstream. I remember when it first came out and people had  trouble fully wrapping their head around it, even though the movie lays out everything for you and is easier to follow than a lot of  people may have realized. It is a highly enjoyable thriller though and was an undeniable influence on me at the start of the decade.

Submarine (2010)

 This quirky, cute debut film by Richard Ayoade shot in Wales holds a special place for me as it's the first film I watched in the cinema by myself. That same day I also went to my first concert by myself. So a pretty monumental day for me doing things solo. But i really loved this film when i first saw it and even named it my favorite film of 2011 (since that's the year I watched it). It's a well acted coming-of-age-comedy drama that's funny, sad and an overall lovely experience that really stuck with me.

13 Assassins (2010)

 I got into Takashi Miike at the very start of the decade and he quickly became a favorite director of mine. Then in 2011, I got to see my first Miike film in the cinema in the form of this great samurai epic. This decade saw Miike continue on as a big mainstream director, which I know  a lot of people lament over, but he's always been more of a workhorse director than a visionary auteur, and I've still enjoyed his output regardless. Now I've not seen every film he directed this decade, but from what I have seen, I'd argue that "13 Assassins" is his best film from this decade, although "Over Your Dead Body" certainly comes close. It's well shot, well acted, and has a huge climactic battle that is highly enjoyable.

Himizu (2011)

 Sion Sono is another director I fell in love with at the beginning of the decade, but more than that, if a director was to be my spirit animal, it would probably be him as I seem to connect with his work more than any other..

His output was pretty crazy this decade, with him even directing six films in 2015 alone.

And whilst I have not seen all of it, what I did see was really good to great.

Himizu is my joint favorite with another film that I'll get to later on. 

Based on a manga, the film is set against the backdrop of the 2011 Tohouku earthquake and tsunami, and follows a teenage boy who struggles to live a normal life due to the hostile environment around him. It's a film filled with a lot of anger and sadness, but also hope, leading to a strong ending that always makes me tear up. The performances are fantastic, and the whole thing is just really engrossing.

The Raid/The Raid 2 (2011/2014)

 I knew I had to include both the Raid films, since they are two of the best action films of the decade, and whilst I prefer the second, there's no denying the big influence the first one had on mainstream action and changing the way it was handled for the better, after the Bourne films had caused a shaky-cam hellfest to infect mainstream action films for many years.

The films form one big story but are very different in their structure and content. The first one is an awesome self-contained action film set in one location, whilst the second is a gorgeously shot gangster epic with superb action sequences. Both are highly enjoyable and must-see movies for fans of martials art action.

Holy Motors (2012)

 Onto something much more strange, unique and brilliant. Holy Motors is a film that follows the day of an actor who is driven around in a limousine to various places to play different characters for a range of events and situations; some of them dramatic, some of them funny and some of them a little disturbing, but all are very compelling. And as the film goes on, small details of the world that this film inhabits are revealed, before ending on a rather bizarre note that will leave many baffled. Really great movie and a performance masterclass from Denis Lavant.

Rurouni Kenshin Trilogy (2012/2014)

 This decade saw an explosion in manga adaptations in Japan, with them dominating their mainstream landscape. Obviously, the results of these varied in quality, but this trilogy stands tall in amongst them. Every time I think of these movies, I get this urge to rewatch them and that's rare for modern mainstream action movies. These films have it all, great action, acting, music, cinematography and even some emotional and moral depth. I was honestly surprised by how much I would love these films, but I would happily pick them over all the superhero movies I've seen this decade. They are far from perfect and still have their flaws, particularly the last two, but they are three of the best modern day samurai films around.

Why Don't You Play in Hell? (2013)

 Whilst Himizu may of been a film full of anger, here is a much more joyous film from Sion Sono, that always has me smiling from end to end. It follows a group of struggling filmmakers who get caught up in a Yakuza feud. The film is a homage and celebration of gonzo cinema as well as guerrilla filmmaking. It's outrageous, funny and even has a bit of an emotional core. I just adore it.

The Tale of Princess Kaguya (2013)

 Isao Takahata's final film before his death, and it's a masterwork. Based on the Japanese folklore tale of the same name, the film is done in a simple watercolor style that matches the film's period setting and makes for a very a beautiful looking movie. Takahata's masterful craftsmanship really brings out the story's depth and emotion, and then you have Joe Hisaishi, who once again produces a great a musical score that adds that extra finishing touch. Takahata is a talent that will sorely be missed, one of the greatest animation directors who ever lived.

Gravity (2013)

 Now here's a film I have picked more for the memorable experience I had with it than anything else.

I watched this film once in IMAX when it first came out and have not rewatched it at all since then, because I don't think I'll enjoy it as much in any other format. But that first time viewing in IMAX was very special and blew me away. It was an enthralling immersive experience with great visuals and a superb performance from Sandra Bullock. It may not stack up as well with all my other favorites, but that experience will always stay with me.

Under the Skin (2013)

 If I told you this film is about Scarlett Johansson as an alien, picking up men and devouring them, what you're imagining right now is the complete opposite what this film is. Minimal on dialogue and narrative, but constantly compelling, this is a really fascinating and unique film with a fantastic soundscape and some very haunting moments scattered within.
It also keeps a feeling of isolation throughout, which I remember having a real effect on me, on my way home from the cinema. A truly remarkable and stand out film.

Birdman (2014)

 Just like a lot of other films in this list, this is one of those the ones where I had a feeling beforehand that I was gonna instantly connect to it and I certainly did. Not only is this film a grand technical achievement with its one take illusion, but it's also got great performances which includes a revitalized Michael Keaton and a very engaging narrative that just kept get better and better as it went along.
 

The Witch (2015)

 The trend of jump scare heavy horror was more prevalent than ever this decade. So having a brilliant slow burn horror like this in amongst them was always a breath of fresh air. 

There's no reliance on jump scares here, just good tension and a constant unsettling atmosphere. And all its other aspects like the cinematography, soundtrack and acting are all great as well, creating a very effective horror that is a superb debut for director Robert Eggers.

The Lobster (2015)

 I remember this film coming out of nowhere for me, just a random movie I saw was at the cinema that  I went and watched and ended up loving it. This is a strange asburdist black comedy that is thoroughly entertaining with moments of unusual brilliance and a real good cast of actors. I had seen his film 'Dogtooth' a few years prior, but it is this movie and that ones that followed which really made Yorgos Lanthimos became a favorite director of mine. Just a really weird and wonderful film.

Your Name (2016)

 An enthralling romantic fantasy anime that is thematically rich and highly emotional with super likable characters, stunning visuals, a constantly intriguing narrative, and some great drama and humour. May not have watched a whole lot of anime this decade but I'm very happy that I managed to catch this at the cinema when I did, 'cause it really blew me away.

Neon Demon (2016)

 Nicolas Winding Refn's sinister look into the modeling industry that is both horrifying and fascinating. It;s a brilliant piece of work with a great central performance from Elle Fanning. It's incredible to look at, surreal at times and overall totally engrossing. I love it.

The Handmaiden (2016)

 Park Chan Wook is another one of my favorite directors, and this is another film of his that fits comfortably among his best. A masterfully crafted tale of desire and sexuality that is totally enthralling. It has strong characters, a great subversive narrative and a good sprinkling of dark humor.

The Florida Project (2017)

 As you can probably tell by now, the films I enjoy the most tend to be the ones that are a bit more out there, but I do still enjoy the more stripped back indie dramas, they just don't connect with me as much. But if I was to choose one that I felt was the best from the decade, it would be this one.

It follows a young girl and her mother who live in a motel a few miles from Disney World. It's told mostly from the child's perspective and draws you in with its fantastic genuine performances before hitting you hard emotionally and ending in a rather peculiar but effective way. A superb indie gem that really stood out for me.

Mother! (2017)

 Darren Aronofsky is another filmmaker whose work always seems to easily connect with me and I even really enjoyed his Noah adaptation from 2014.

Mother! was one of those films that was an instant love for me, it's a very gripping experience that follows a couple living in an isolated house, whose quiet life is disrupted and slowly descends into a crescendo of chaos. The focus stays mostly on the wife played by Jennifer Lawrence who gives a fantastic performance as a woman on edge that goes through a whirlwind of emotions. It is at times tense, distrubing, emotional and even blackly comical. 

Just an incredible film that stands among Aronofsky's best.

Annihilation (2018)

Man, am I glad that I was able to see this on the big screen, 'cause what an experience this was. This is a deeply fascinating sci-fi horror with great cinematography, acting and sound, as well as a tremendous climax that had my mouth agape in awe and wonderment, which had a lasting effect on me even after the movie was over. The kind of abosrbing cinematic experience that will always stay with me.

Midsommar (2019)

 I loved Ari Aster's debut film "Hereditary" the year before, but he really upped the ante and topped himself with this one. I do enjoy my films about weird cults and this one is particularl excellent. The cinematography is brilliant, the performances are superb, and much like Herditary it takes a slow burn approach that creates a constant sense of intrigue that just absorbs you into it more and more. Very excited to what else Ari Aster will present in the next decade.

Once Upon a Time...in Hollywood (2019)

I've enjoyed Tarantino's output this decade, but his latest is the one that really hit it for me. I found it to be oddly cathartic in a way, and it actually managed to hit me emotionally, moreso than any Tarantino film ever has. I got so immersed in the setting and the characters and then the ending just really resonated with me. "inglorious Bastards" is still my favorite Tarantino film, but this certainly came very very close to topping it.

 

 

So those are the main ones that really stuck with me this decade, though there are probably quite a few more I could've added and wrote about too, but here's a list of other films I really liked from this decade:

Four Lions (2010)

Cold Fish (2010)

Scabbard Samurai (2010)

Villain (2010)

Guilty of Romance (2010)

Harry Potter and the Deathly Hallows Part 2 (2011)

Drive (2011)

Shame (2011)

Planet of the Apes Reboot Trilogy (2011 - 2017)

Spring Breakers (2012)

The Perks of Being a Wallflower (2012)

 Evangelion 3.0 (2012)

Snowpiercer (2013)

Filth (2013)

 The Double (2013)

Nymphomaniac (2013)

12 Years a Slave (2013)

Trance (2013)

Stoker (2013)

R100 (2013)

X-Men Day of Future Past (2014)

John Wick Trilogy (2014 - 2019)

 Godzilla (2014)

The World of Kanako (2014)

Tokyo Tribe (2014)

What We Do in  the Shadows (2014)

A Pigeon Sat on a Branch Relfecting on Existence (2014)

Calvary (2014)

Interstellar (2014)

Nightcrawler (2014)

Gone Girl (2014)

Frank (2014)

New Star Wars Trilogy (2015 - 2019)

Mission Impossible: Rogue Nation (2015)

 Anomalisa (2015)

The Big Short (2015) 

The Revenant (2015)

Inside Out (2015)

Mad Max: Fury Road (2015)

Antiporno (2016)

Hunt for the Wilderpeople (2016)

La La Land (2016)

Arrival (2016)

Swiss Army Man (2016)

 Kubo and the Two Strings (2016)

Sausage Party (2016)

Three Billboards Outside Ebving, Missouri (2017)

A Taxi Driver (2017)

The Killing of a Sacred Deer (2017)

Blade Runner 2049 (2017)

 Eighth Grade (2018)

The Favourite (2018)

 The Night Comes for Us (2018)

BlacKKKlansman (2018)

Hereditary (2018)

 Mission Impossible - Fallout (2018)

Ready or Not (2019)

Us (2019)

 

 

Mindhunters (2004) Review

Here's a forgotten thriller form the early noughties that got panned and failed at the box office, but my goodness is it a hoot.
Featuring Christian Slater, Val Kilmer and LL Cool J, the film follows a team of FBI trainee profilers who are left isolated on an island for a test simulation, but things take a turn when the murders become real!

It follow a couple of slasher tropes and isn't a very unique movie but it's got some fun twists and turns on the go  and it definitely keeps it's intrigue throughout. It does however have some rather dumb moments plus you got LL Cool J trying to be the cool one liner guy, but the lines end-up being pretty lame..

The pacing is also little all over the place and there's some choppy/baffling editing on the go which made me audibly laugh at certain points particularly in a fight scene towards the end.

Top it off with a score that includes a wailing 80s guitar and nice bit of gore and you've got yourself a very amusing experience that'a not exactly good but still chock full of entertainment value.
One of those films to chuck on whilst chilling with friends to have a fun time, sometime that's all you need. ***1/2

Skins (2017) Review

So here's an odd Spanish film involving people with 'deformities' trying to find happiness. It's the debut feature for  Eduardo Casanova who is only 27 years old and already shows good promise as a director as I really enjoyed this.
It has a nice consistent aesthetic, is well acted and balances the drama and comedy rather well providing a few touching moments as well as a weirdly cute ending.
Some of the structuring and editing is a little bit clunky, but the run time is is just under 80 minutes and stays constantly engaging throughout.
Now there are some moments people will find discomforting but the film does have dark comical edge that may diffuse that and if anything I think it's thr overall strangeness that'll be off-putting for most people.
But if you give it a real chance there's a great little movie here to be enjoyed, one that tries to provide hope and love to those that are different, albeit in its own unique manner. ****

Halloween Sequels (II - Resurrection) Review

Was gonna do separate reviews for each of these movies but decided to combine them into one big chunk, since I don't really have a whole lot to say about many of them. so without further ado here are my thoughts on the Halloween sequels.

Halloween II (1981)

In the first 15 minutes of this film a 17 year old kid dressed as Mike Myers gets pinned against a van by a police car that promptly explodes for no reason and it's absolutely ridiculous.
And that's not all, as the film is riddled with dumb moments, but you know what? it's still quite a fun watch overall. It takes a more general Slasher approach, with more violence and Donald Pleasance continues his enjoyable ramblings as the constantly on edge Dr. Loomis. ***

Halloween III: Season of the witch (1983)

 

This one gets a lot of flack for not having Mike Myers and being a completely different and new film as the studio wanted to carry on using the Halloween moniker but with a new film idea each time like an anthology.
Despite that though if you view this as a standalone horror as you're supposed to, this is actually quite an enjoyable film. Yeah some of it is still a little silly but it's got a nice little mystery that keeps it intriguing, as well as a couple good gruesome moments. My brother remarked that it's a bit like a James bond film except the spy elements are taken out and replaced by horror ones, I don't think he's far wrong, plus the film has quite a dark ending that I found to be quite effective. ***

Halloween 4: The return of Michael Myers (1988) Review

So of course Season of the witch failed and they brought back Michael Myers, and this is where the series starts getting a lot dumber, although this entry may be the blandest of the entire series.
Mike Myers is alot less intimidating (though his lowest point is still to come), there's barely any suspense or violence and it just kinda drags, especially towards the end. The most enjoyable stuff seems to be Dr Loomis and his rambling again, with the biggest highlight being when he's picked up  off the side of the road by a reverend, and honestly, they should have just made a road movie between those two as I would watch the shit out of it. **

Halloween 5: The Revenge Michael Myers (1989)

I thought 4 was bad...then 5 comes along and delivers this incompetent garbage.
I swear this film is meant to be a comedy because all I kept doing is laughing throughout. Myers has an awful and bothersome flappy neck on his mask making him the least scariest of the franchise, in fact Dr. Loomis is more terrifying in this, always bugging the poor Jamie Lloyd kid who is now psychic for some reason. There's also weird sound effects at certain points and the music score is a bit off and not quite working. 

Then of course you got the start of the Thorn bullshit and the whole thing is just inept. I think I still enjoyed it more than 4 but for all the wrong reasons. **

Halloween: The Curse of Michael Myers (1995)

 

I watched the producer's cut of this but also skimmed through the theatrical cut to compare and both are pretty bad with awful climaxes, but the producer's cut is a little more coherent with a better soundtrack opting for a more minimal atmospheric score like the first one which is quite a effective and completely ruined in the theatrical cut with added rock guitar riffs and squeals. In all honesty I was actually quite enjoying the producer's cut up until the big reveal towards the end and then the whole thing just falls apart. 

Here the Thorn stuff comes to the forefront, which is awful and ridiculous, but I do commend them for trying something a bit different I guess. And despite all the gobbledygook, the film is still more consistently put together than the previous film. **

Halloween H20: 20 years Later (1998)

 

AKA Laurie vs. Michael. Here the series shoots up in quality and provides the best sequel.
This one is set 20 years after the first two films events and completely disregards all the sequels that came after it, with Jamie Lee Curtis making a return as Laurie Strode.
The film itself is very enjoyable from start to finish and flies by at a brisk pace. The climactic showdown between Laurie and Michael is great and one of the series best highlights.
It still has its hokey and questionable bits, but for the most part this is a competently well made and executed Slasher. Plus I found LL Cool J playing a security guard that writes erotic fiction rather amusing. ***1/2

Halloween: Resurrection

Here's the series dips down again. It follows on directly from H20 and while the first 10 - 15 minutes are actually pretty good, Busta Rhymes then gets added to the mix and things turn into a farce.
Now I did like the whole Myers house being used for a internet horror show idea and maybe if they had minimized Busta Rhymes to a cameo or took him out completely, the film as a whole would have worked better. But his presence just makes things more comedic feeling and almost like a 'scary movie' parody at times, especially the ending, which I'm sure felt like a spit in the face to long-time fans of the franchise at the time.
Having said that, I didn't take the film all that seriously and actually thought it was pretty fun including Busta Rhymes whole shitck for just feeling bizarre and out of place. Most definitely a product of the early 00's  and honestly more enjoyable than 4, 5 and 6. **1/2

 

Halloween (1978) Review

I admit I don't have the same amount of love and attachment to this film as most people, in fact I saw the Rob Zombie remake long before watching this. But I still do have a strong appreciation for it and can see why it is so highly influential and regarded as a classic.

For one, the score is fantastic and has become iconic in itself, the haunting piano arrangement is instantly recognisable and just hearing it is enough to put most people on edge.

 The story is very simple but effective and for the most part maintains a terrific atmosphere and provides a great deal of suspense, with Michael Myers threatening presence being felt throughout the movie and effectively utilising a few popular Giallo elements like the killer POV.

However there are certainly some things that feel a bit dated and a little laughable at times, also the film's lack of gore compared to later slasher films may also make it seem a little tame for a modern audience. My brother for instance, who is a huge Slasher fan actually finds the film a little boring since the suspense doesn't really work on him and there's not enough that really goes on around that. So I can understand people not being that big on it since the suspense is arguably the film's biggest factor for engagement.

Personally, I do find this to be a great suspenseful horror whose achievements and influence outshine its flaws, but it's not something I would re-watch much. ****

Phantasm II (1988) Review

Released 9 years after the first one. This sequel starts right after where the first one left off and then jumps ahead 9 years as Reggie and Mike go on a journey to see out and take down the Tall-man once more, setting a bunch of trends that follow throughout the rest of the sequels including Reggie becoming the main hero and his attempts at trying to have sex with every woman he picks up.

This marks the only film in the series where Mike is played by a different actor, but I think he fits the role fine here and is a decent enough replacement, though I guess it is slightly jarring to go from him back to the original actor in the next film.
The Tall Man and Reggie are still played by original actors Angus Scrimm and Reggie Bannister though, as they would be for the rest of the film series.

The film also had a considerably bigger budget so of course they utilise that to the fullest and like alot of film sequels make thing bigger and bolder with more action and special effects as well as a somewhat lighter tone which all makes for a very fun and engaging experience.

The main theme heard in the first movie is retained, but the score itself is more generic and sounds similar to every other horror film of the time. It also delivers a similar fake-out ending to the first  which may annoy people but I was fine with it.

So yeah, while it does still have flaws and is much more conventional than the first film, lacking that same level of intrigue and mystery, I still found it to be almost as enjoyable. But then I do really like fun action horrors and this one in particular as a certain charm to it. ***1/2

A Star is Born (2018) Review

I'll I admit I went into this thinking it was gonna be some hokey feel-good film, I mean how can you not with a poster and title like the one above and with the way it's been marketed.
So of course to my pleasant surprise it was instead a strong emotional drama that was actually great and quite far-way from feel good or happy.

The film is lead by two fantastic and genuine feeling lead performances from Bradley Cooper and Lady Gaga. I'd says it's probably the best performance I've seen from Cooper thus far and Gaga really fits in so naturally with her role with them both having tremendous chemistry together.
They are also back up by a good supporting cast with Sam Elliott in particular being the other stand out of the film.

The soundtrack is also really good performed beautifully by Gaga and Cooper who collaborated with a bunch of different country musicians among other personnel to compose and produce it. The songs feel very genuine and fit perfectly with the story and characters.

there are a couple of odd moments and things feeling a bit rushed but overall I think Cooper has done fantastic job with his debut and shows a lot of promise as a director. Crafting a drama that has a lot of heart and is just as much as bout a star on the decline as it is about one on the rise and the conrtast between them.

I'll be very surprised if this don't pick up any Oscar noms. ****

Phantasm (1979) Review

This cult classic is certainly an interesting one...

The beginning is structurally very odd and feels a bit jumbled, but it soon finds it's footing and has heaps of intrigue which manages to keep you engaged throughout, revealing little details as it goes on but never fully explaining everything before delivering a sort of fakeout ending that links the film to themes of grieving and dealing with loss that gives it a psychological edge (which of course is dissipated in the sequels).

It's also got quite a good score on the go which is very reminiscent of music Goblin would produce for Dario Argento.

Characters do make some questionable decisions )particularly the main kid), The acting isn't the best and the atmosphere is inconsistent but Phantasm is a strange and enjoyable horror that's got a bit of unique vibe going for it which makes it clear why it became a cult favourite and spawned a franchise.

the Tall Man may not be the scariest of guys, but actor Angus Scrimm manages to give the character an intimating presence that certainly made an impact. ***1/2

Johnny English Strike Again (2018) Review

With this type of movie it's best just to go in and see how much fun you can have, cause at the end of the day these films are just a string of comedy set-pieces connected together by a very basic plot..
With that being said I certainly did get a few good laughs out of this, particularly in a sequence involving VR, although there was also a fair amount of comedy that fell dead on it's arse too, but may have got a chuckle out of child me.

So yeah I found the film to be  mildly amusing with a slight charm, but these films have never aspired to be more than just some pleasant passing entertainment and that's really all it is, just more of the same kinda of stuff rehashed with added elements like Johnny being out of touch and old school.

I guess you're enjoyment of this will come down to your connection to the character and sense of humour. I personally have attachment due to being a fan of the first movie when I was a kid, so even if there's barely anything to it, I've got no issues with a simple spy spoof that will have me smiling every now and again. **1/2

Venom (2018) Review

There's a good movie lurking somewhere in Venom's back gooey depths and it lies specifically in the fun Venom/Eddie Brock dynamic that serves to be the films main highlight. Tom Hardy is clearly having fun in his role which is why it mainly works well and serves to be enjoyable.
The CGI is also fine but does get a bit messy at times particularly in the climactic fight but I don't think the editing helped with that either.

My point though is that I liked the portrayal of venom here, It's just a shame that its' all wrapped in a bog standard story and some messy craftsmanship leaving you with a film that is kinda entertaining but mostly lackluster.

May have just been better if they just did a spider-man film with this venom, the problem with origin origin films is that the majority of them go down similar paths and they just don't end up being interesting enough, so I wouldn't call Venom outright bad, it's  just very meh. **1/2
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A Simple Favor (2018) Review

take some of the hunour and tone of Paul Feig's previous films and mix it with Gone Girl and this is what you get. A fun little thriller that is based on a novel from last year which looks a lot more serious than this film ended up being.
But it's the playful tongue and cheek tone that really makes this work especially with it getting a little farcical towards the end. Though I'm sure there are fans of the novel who are displeased with this deviation which is fair.

The film is ripe with twists and turns that keep it interesting, some more surprising than others and it does a good job of leading you  in a few directions to make you guess what going on before the big reveals finally come in, though it arguably maybe takes a tad too long for the reveals to come through as my interest did wane a little bit in the middle before getting hooked right in.

Blake Lively and Anna Kendrick both put on very solid central performances playing contrasting characters that both have things that their hiding beneath and the supporting cast was pretty good too.

In the end what you get is a solid thriller with an intriguing story and a good dose of humour that may not have the heft and weight of gone girl but still provides an all around fun time. Probably Feig's finest film to date.. ***1/2

BlacKKKlansman (2018) Review

Before this I only ever seen one Spike Lee film...the Oldboy remake. Of course that movie turned out to be trash but I was always curious to check out Lee's good stuff and luckily I got a glimpse of that with Lee's latest film BlacKKKlansman which turned out to be rather excellent.

The film is based on the true story of a black detective in the 1970's who with help from his team try to infiltrate and expose the local Klu Klutz Klan residing in Colorado springs.

Now though it is based on a true story there are of course creative liberties that are taken to make things more interesting but without sacrificing the stories validity or things Spike may be trying to say.

Spike also balances the tone here tremendously well consistently switching the line between serious and funny.The best example of this being the KKK, the way they are represented is often quite farcical and not in a forced way but just inherently with their words and actions, but then there are also times where what they say and do is deeply discomforting.

Spike also does a great job of comparing and contrasting the KKK with the Black power movement which again reinforces the ridiculousness of the former, though Spike also doesn't shy away from a few of the negative aspects that were prevalent in the latter.

Spike is also clear to remind us of the racial issues we face in the modern day with a very serious and hard hitting ending which many may argue as preachy but it's Spike just enforcing his point and wanting a change.

This is all also backed up by some great acting with a cast that includes John David Washington, Adam Driver, Laura Harrier and Topher Grace among others all of who put on strong performances.

What Spike Lee has crafted here is great movie that has power and social relevance and whilst you can argue that certain scenes go on longer than they need to do, I personally found the film to be a compelling  experience from start to finish. ****1/2

Star Trek: the Motion Picture (1979) Review

The first in the original Star Trek film series and it's a very good one indeed.
Here Captain Kirk and his original enterprise crew reunite to investigate a huge strange energy cloud that is making its way towards earth.
It's a rather simple story but it's soaked in intrigue and kept me engaged throughout it's over 2 hour runtime as the mystery of the cloud and whatever lurks inside it are slowly unravelled.
It's almost devoid of any action which I've seen pop-up as a criticism but I really never found it a problem since I found the story compelling enough and helped by the fact that it's well acted by everyone.

There's also some great visual stuff on the go especially when they finally reveal what is hiding in the cloud with some solid set design and effects on the go, Yeah quite a bit of it look dated but it all still retains a certain charm to them and has some really cool bits.
I will admit that they do seem to stretch out a couple of these effects sequences longer than they maybe should have but i never found it much of hindrance.

But that's because it;s all accompanied by Jerry Goldsmiths fantastic score, the exact kind of majestic film score that helps keep you hooked and it's very clear to see why he ended up scoring a load of other Star trek stuff with even a slight variation of main theme from this film being used as the main them for the Next Generation series.

Overall the plot may be too thin and basic for a lot of people to enjoy but I still found it be very well executed and enjoyable making for a really solid bit of sci-fi. ***1/2

Diagnosis: Death (2010) Review

Here's a low budget New Zealand horror comedy featuring Rhys Darby, Jermain Clement and Brett Mckenzie from the  Flight of the Conchords TV Show. however despite being the main selling point they only feature in small roles which make up the best moments of the film.

As for the rest of the movie...well it's very messy but somewhat fun. It is pretty simple kind of mysery/ghost film, the pacing is all over the place and horror elements are very bare and generic but there are couple of good bloody moments in there towards the end.
There's also some awkward sexual stuff and speaking of awkward the acting from the two main characters is pretty clunky and some their interactions sound a bit unnatural.
I did enjoy the performance of the Suze Tye though who plays Nurse Magaret Bates she worked well and was fun in her role.

So yeah overall I think there's enough in there to find enjoyment, it's not that funny but still provides a couple of laughs and it's clunky execution is entertaining in it's own way. Just don't expect much from it. **1/2

Angel Dust (1994) Review

Here's a decent Mystery/Psychological dram directed by Gakuryu Ishi (known here as Sogo Ishii).
It follows a young woman named Setsuko Suma who must help solve a series of murders that are being carried out every monday at 6pm on young women. But the film is much more than just this mystery.

Setsuko is a lot like Will Graham from the Hannibal Series in that she has strong empathy and is able to get into the mind of a killer and as the film goes on the focus shifts more onto her and how the case among other things are affecting her psyche.
It's like the film is made up of two halves with the first hour being more about the mystery and the second  hour focusing on the psychological stuff.

The other important character to note is Dr Rei Aku, a man with a sense of mytsery who always seems very calm and smug. He runs an anti-brainwashing clinic and at one point we see footage of his practices which serves to be one of the films main highlights.
It's these two characters and the phycological elements that are actually the most interesting parts of this film and that's the issues as altough it manages to stay quite intriguing throughout, it never manage to fully invest me and at times I could find my mind drifting away from the film.

It is very steadily paced and has quiet and subdued atmosphere which does work to a certain extent but also feels like it's more distancing the viewer rather than absorbing them as intended. The film actually borders the line of horror but never quite steps into it and if anything maybe one of it's problems is that never goes completely full on with its ideas.
There are also a few things that are never really explained that may cause some frustration and confusion especially since it doesn't all quite gel together well enough.

The Cinemtography is decent though if not completely remarkable aside a few good visual bits and the acting is fine too.

So there's certainly is some interesting sequences and stuff going on I just didn't think it was super enjoyable. I'm sure there are other people that will get much more from the film and if you like psychological films some mystery mixed in then it could be worth checking out just be cautious of it's pacing and atmosphere which could be off-putting and make it difficult to get into the movie.

This is the 3rd Gakuryu Ishii film I have seen thus far and I've had a similar experience with all of them, where all of them were intriguing but never fully gripped me. Maybe one day I'll find a film of his I really like, but for now this was still decent. ***